Moments of rage, alienation, devastation. A lot of it is about emotional extremity. It feels like such a different song to what it started as, in a really cool way. But as soon as that layer of harmony comes in, it complicates the feeling and gives it more character. It was all about emotional vulnerability. Before that was there, the song was really open and not very rich. Mateo wrote this kind of deconstructed R&B bassline. Syd: There’s this song, I Just Wanna Luv U, on the new EP. Sometimes you just want to make people dance, other times you want to make them feel deeply about something. As songwriters, Monika and Luke have different reasons for wanting to script a song. Particularly when it comes to the instrumentation and production, that’s very true. In terms of emotions – someone might start with something and take it one direction, but then somebody else in the group will bring an element to it that’s completely different. Mateo: It’s polymorphic and comes from all different directions, which is confusing at times. We think that makes sense, Monika, even if we might question that musical choice… Now, as we eagerly await new material (and live dates) from the avant-garde collective, keep scrolling to find out all about Nukuluks worst habits, favourite artists and most impressive dishes.Ģ0% What kind of emotions and experiences influence your work? They have to come and meet me – like that Black Eyed Peas song, Meet Me Halfway, you know?” That’s my job: to believe in what I’m saying. I think about myself and what I’m feeling, before trying to make sure that my words reflect that really well. “I don’t really think about the audience that much at all. “I guess our stuff is all quite expressive – for anyone to be able to connect with that and see their own stories inside of it is the most satisfying part of songwriting.” “I wouldn’t want to prescribe anything, because I like music to grab what that I’m already feeling,” Syd continues. Ultimately, though, their goal isn’t necessarily to crowd-please. We’re nerds, basically.”Īt the time of our interview, Nukuluk are gearing up for a headline show at Corsica Studios in South London – a hotly anticipated event the group have been putting lots of rehearsal time into. We do a lot of skill-sharing, which has helped develop one another’s process. “We’re all into loads of different genres, which means there’s room for different genres to occur. “We basically all share mini-musical relationships,” Syd says. Then Syd “kidnapped” Louis, who introduced the pair to Olivia, before Mateo left his own “shitty indie-grunge band” (Syd’s words, not ours) to complete the, er, musical pentagon that makes up Nukuluk. “I was writing raps, but I didn’t know they were raps.” Now, his drawling, powerful delivery has become one of the collective’s most distinguishing features. “Yeah, but without realising I was actually doing it,” Monika replies. He hadn’t rapped much before and wanted to give it a try. “I’d given up being in my third shit indie-grunge band and had started making more electronic stuff and hip-hop beats. So how did Nukuluk get into the symbiotic, experimental groove that’s become their trademark? “Me and Monika met at a party a few years ago,” says Syd. Those descriptions, loose though they are, somehow fit the bill: Superglue is experimental and varied in style and texture, from the pared-back introspection of the trip-hoppy I Just Wanna Luv U, to the bristling rage of Covered in Gold. “Very free-form, shape-shifting and quite dramatic,” Syd chimes in – both are Zooming in from their respective homes in South London, soon to be joined by Mateo. Their creative process is “disjointed,” according to Monika. In 2021, they released their debut EP Disaster Pop, following it up last April with Superglue. Over the last couple of years, the five-piece (Monika, vocals Syd, vocals and guitar Mateo, bass, Louis, drums Olivia, synths) have been sharpening their idiosyncratic DIY chaos to increasing cult fanfare. Nukuluk aren’t your typical hip-hop collective.
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